Join Arden’s free virtual studio to get member-only tips, tools and singing insights

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BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

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Join Arden’s free virtual studio to get member-only tips, tools and singing insights

IMG_9257-Edit

BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

Please enter your name.
Please enter a valid email address.
Something went wrong. Please check your entries and try again.
Maybe right now your singing career isn't working how you'd like

How To Get Lightning Fast Breakthroughs In Your Singing Career

How fast can you take your singing from where it is now, to a place where everything is firing on all cylinders? Where it’s powerful/consistent/reliable and feels amazing, and you’re finally seeing success in your career? (I’ll give you a hint. . . .it’s faster then you think!!) Maybe right now your singing career isn’t working how you’d like: You haven’t figured out how to navigate opportunities in this new normal You haven’t figured out how to stand out from all the competition Perhaps your sound is unreliable so you haven’t been putting yourself out there You aren’t getting the opportunities you want You’re not breaking through to that next level. How fast can you change that completely – where your singing is dialed in and you’re thriving? Where you’re bringing new opportunities in the door, you’re finally off the side-job hamster wheel and most importantly, you’re making the impact your voice was meant to make in the world? It’s an incredible feeling when you live your life that way! In my experience, that all starts with ONE specific shift: STOP BECOMING START BEING You don’t have to become something……you already ARE something! Yet most of us have so much

2 Key Truths To Breakthrough In Your Singing

After you’ve had yet another disappointing audition or go months between paid gigs, do you ever wonder if this is as far as you’ll go? Here’s the thing. . . . You’re not alone. Nearly every singer I know has been through this at one time or another. You’ve become so good at second-guessing, self-doubt and control that you just can’t see the forest through the trees anymore. But the solution lies in your ability to internalize two key truths: Singing is a metaphor for life. And as such, the journey is the thing! We never arrive. Our lives are an ever-changing and constantly evolving odyssey and so too is our singing. It is incumbent on you to figure out how to enjoy the journey because if you don’t, then you’re missing the whole point. Changing your thinking = changing your singing. How and what you think about your singing has a direct effect on what your body does to produce the sound. We all have a conditioned set of beliefs (from our individual families, communities, religions, schooling, experiences etc.) that can subconsciously affect our ability to realize the full potential of our voice. These beliefs sabotage your ability to fully internalize

Vocal Lessons

The Death of Voice Lessons

Bad news – traditional vocal training doesn’t work. Ask most singers if they feel their career success reflects the amount of training they’ve had. I promise you – the majority will tell you one of two things. Either they’ve spent many years and tons of money on voice lessons and still don’t have a high level career, OR they’ve had some lessons here and there but never stuck with it because they weren’t getting the breakthroughs the needed so they’re still on the bench. This is because the way singers are currently trained DOES NOT WORK. So many singers have been burned by the current system – it’s been failing singers for decades now. Maybe it’s even happened to you and you recognize yourself in one of the examples above. This is something we ALL need to consider carefully if we want to be able to make an impact with our singing in a big way. Here’s what I know: Singers don’t just show up to their training needing technique. They’ve also got tons of emotional blocks and loads of mind trash preventing them from singing like a badass and having a big career. Some things to consider: * Ever wonder why

Do THIS to Nail Your Next Audition

Did you know that the main difference between seasoned singers who build their careers to widespread acclaim and the ones who remain in ‘Struggleville’ has nothing to do with talent or technique? To grow your singing career fast and make a massive impact with your performances / recordings / auditions, you’ve got to understand this and get it right. I want to share with you what I’ve learned so you can have the freedom in your singing and abundance in your career that you deserve. In this video we discuss exactly what your need to do to deliver when it counts so that you can go from ‘struggleville’ to successful!

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Truth Bomb

I’m gonna be brutally honest for a second. Right now, there are thousands of singers trying to make it in this business. They’re twisting themselves into pretzels to be, sound and look like what they think the industry wants. They’re obsessively focused on mastering technique. They’re going on TV reality shows like The Voice, Idol  and AGT just to get noticed. They’re even paying  to perform instead of getting paid to perform (pay-to-play gigs and YAPs). And despite all of that, most of them aren’t even close to getting paid to sing regularly, much less touring around the world to widespread acclaim. If you’ve been following me for a while, then you know that the strategies I mentioned above – people pleasing the industry, technique tunnel vision, reality shows and “pay-to play” gigs  – are absolutely worthless, in my opinion. If you want a world class singing career, you’ll never get there in a million years if you do those things. There’s a much shorter path. But is that the REAL reason talented, professional singers are struggling? No. The real reason is that most of these singers lack vulnerability. VULNERABILITY. When they perform, they present a façade of who they think they need to

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Demystifying Breath Support

Lately I’ve been noticing just how much confusion and frustration singers have around breath support and breathing for singing.     Singers can get SO down on themselves when they don’t feel their breath is beneath them. Do you relate?   You’re tired of the fear of not making it to the end of the phrase. You wonder why your high notes feel strained. You’re frustrated when you don’t consistently sing the way you want to. You start blaming yourself that it’s all your fault you don’t really have what it takes. You start wondering if you are talented enough to be on this path.     The Inner Critic runs riot when, in reality. . . . . it’s not your fault!   It ALL comes down to breath support.  And you just haven’t been given the right tools to unlock the foundation of your support yet.    In my 20 years of helping singers and being a professional singer myself, I’ve discovered this:   The key to unlocking the foundation of good singing starts with getting under the hood to understand a few simple concepts about the physiology of breath support and sound. It’s a step that SO often gets skipped.   But that stops today!!   Now

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The Sensation Of Good Singing

There’s so much content out there with tips and tools for how to improve singing performance. Over the years there’s one key thing I’ve learned. It’s the first step a singer needs to take in order to unlock the potential of their voice. I was reminded of it the other day when I heard this quote by poet Nayyirah Waheed: “Listening is one of the only spaces where you can be still and moved at the same time.”  I love this quote because it reminds me that when we allow the mind to be still and just listen, we create space for transformation. Most singers think of listening as it relates to sound –  listening to the sounds of the instruments accompanying us, the sounds we make when we sing and the sounds we want others to hear us making. This kind of listening is outwardly focused on external sound and our external experience with it. When we are listening this way, we tend to force, manipulate and push our voice as a means of controlling an outcome. But there is another kind of listening. Listening to your body. Listening in this way means quieting the mind so you can

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Why You Have Tension & Strain When You Sing (and other reasons high notes are hard)

The Holy Grail for singers is the ability to sing without strain and tension throughout the entire expanse of your range while finding a free, powerful, resonant and vulnerable sound. Simple right???? I’m rolling my eyes right now – you probably are too. I feel you. I mean, if singing like that were simple, you’d be doing it by now. You would never strain going for high notes, you would never tense up at the end of a long phrase, you’d never feel anxious about what sound was going to come out – it would be amazing! The thing is, there’s a really good reason you’re frustrated, and guess what? It’s not your fault. Odds are, nobody ever told you about The Negative Feedback Loop Of Tension! I was reminded of The Negative Feedback Loop Of Tension recently when I got this message from a member of my virtual voice studio named Frankie. He writes:  “Just found your Chanel and I am hooked so far. I do need help with one thing. I have so much strain and tension and it will not go. I have watched hundreds of videos, honestly if not near thousands. When I push more and

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How To Find Your Most True And Organic Sound

I often hear from singers who say “I am having trouble finding my own sound”. Have you ever felt that way? For commercial singers (recording artists and musical theater singers) it can feel like you don’t quite know what lane your voice fits into, or what kind of singing or genre is the most organic for your voice. If you’re an opera singer, it can feel like being unsure of what fach you are in or what repertoire you should be singing at this stage of your artistic development. It’s an interesting concept, the idea of finding your own sound. It’s an exploration that involves discovering and accepting the true nature of our singing voice, which is no small feat. When we are younger, most of us grow up emulating the sounds our favorite singers make. When I was a kid (and I’m about to date myself here) I wanted to sound like Whitney Houston. I don’t have to tell you. . . . there’s no way a 10yr old white girl from Florida is gonna sound like Whitney Houston. But damn if I tried! Oh, I manipulated my voice, I pushed, I darkened it and in my head it sounded

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Dealing With Insecurity In Our Singing

Do you ever look at another singer and feel jealous because it seems to come so easily to them? And then you think to yourself how nice it would be to sing like them because if you could do that, then all your insecurity would just vanish? Not to burst your bubble, but in my twenty-five years of performing and teaching, I have yet to meet a singer who does not deal with some form of insecurity. Even those singers who we perceive to be the most talented, have the best technique and who seem to be at the top of their game feel insecure about their voice at one time or another. It’s just part of the experience of being a singer that the majority of us share. Most of our insecurity is tied up with our attachment to the perceptions of others. And I get it, trust me I do. It’s really hard not to be concerned about what others think of us when we’re putting a piece of ourselves and our talent out there into the world. That’s why most of us sing best in the shower or in the car when nobody is listening – we