Vocal Health Archives | Arden Kaywin Vocal Studio

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BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

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Join Arden’s free virtual studio to get member-only tips, tools and singing insights

IMG_9257-Edit

BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

Please enter your name.
Please enter a valid email address.
Something went wrong. Please check your entries and try again.
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One Mistake That Keeps Talented Singers Stuck And Struggling

There’s one question I am asked all the time: What’s the secret to great singing? Now, I totally get it. Who doesn’t want in on the secret to greatness? The thing is, there’s no useful, practical answer to this question. While these kinds of broad inspirational secrets are easy to soak in, they are hard to execute. They’re designed to address an insecurity with instant encouragement, without providing any real strategies or substance. As such, they are rarely actionable. Since I’m all about taking action and digging down to guide you in the real work that will facilitate lasting change in your voice so you sing with your full potential, naturally such a question pushes my buttons. There’s a better question though – One I wish more singers would ask me. Here it is… What specific mistakes keep talented singers stuck and struggling? Now THAT’s a question ripe for an in-depth, tactical and actionable answer. Like most things worth learning, the answer can’t be summed up in a sound bite. Perhaps this is the beginning of a book I should write! But for now, we can start the conversation by discussing something talented singers can do to move the needle in

Arden Kaywin, voice teacher los angeles, offers a checklist to get rid of tension while singing

A Simple Physical Awareness Checklist To Improve Your Singing

The ways in which we use our bodies in our day-to-day lives effects how we sound when we sing. What do I mean exactly? When your body is your instrument, the way you use it when you are not singing influences how it behaves when you are. An example I like to give is of a tenor I worked with who was extremely tall (nearly NBA tall, well over six feet). He had always been taller then everyone around him from the time he was young. Because of his height, his interactions with other people nearly always required him to look down at the people he was speaking to, round his shoulders, cock his head and neck downwards both to try to make eye contact, and to also make himself appear smaller and less imposing to those he was with. When he would get up to sing, the same physical pattern would appear. . . a physical shortening and collapsing. Singing from this position created tension in his neck, throat and sternum which prevented him from accessing the full breadth and energy of his support, limited his range and squeezed his sound. Yet he didn’t even realize it because that

Arden Kaywin, voice teacher los angeles, shows best position for mental practice to improve singing

Mental Practice – A Singing Technique So Easily Overlooked

Sometimes the most efficient form of practicing singing doesn’t involve singing at all. Singing is an athletic endeavor, don’t let anyone tell you any different. We are asking our body to do the same thing over and over again for a desired outcome. Just like a major league pitcher or an Olympic sprinter, a singer’s body is our instrument. And no matter how good your technique or how healthfully you sing, there comes a point where too much practice singing will fatigue your instrument. The common wisdom is that a singer should sing for no more then about three hours a day total, and not more then about an hour straight without a break for vocal rest. But every singer is different. It is so important to know your instrument well enough that you are aware of what it feels like as you approach the threshold of overuse so that you can stop singing before you reach it. After that point, the idea of “mental practice” becomes essential. What is mental practice? Mental practice consists of taking yourself through your music in your mind’s eye (or in this case, ear) in a deliberate and specific way to reinforce your technique and

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3 Exercises To Reduce Tension While Singing

Tension is the enemy of the singer because it blocks the free flow of energy, breath and sound throughout the body. One very important concept for any singer to remember is that your body is your instrument, not your vocal chords. Anything that negatively impacts the open flow of energy and sound through your body will negatively effect the quality of your singing. . . . chief among these is physical tension. When a new singer comes to work with me, one of the very first things I do is to help them become aware of any physical tensions they have that are getting in the way of their most efficient production of sound. Mother Nature gave humans an incredibly efficient mechanism for producing sound, but singers often do not trust it. Instead they develop habits which they believe help control their sound, but which really just create all sorts of tensions that negatively impact the sound they are trying to improve. Here are 3 of the most common tensions I see in singers and some exercises to help undo them. Jaw Tension – If you have trouble with your higher register, one of the culprits might be that you