Join Arden’s free virtual studio to get member-only tips, tools and singing insights

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BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

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Join Arden’s free virtual studio to get member-only tips, tools and singing insights

IMG_9257-Edit

BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

Please enter your name.
Please enter a valid email address.
Something went wrong. Please check your entries and try again.
Singing Tips, Singing Technique, Sing Better, Become A Better Singer, Improve My Singing, Technique for Singers, Sound Better Singing, Vocal Technique, Take My Singing To The Next Level, Advice For Singers, Breath Support For Singers, Breath Exercise For Singers, Breath Support Exercise For Singers, Expand Your Singing Range, How To Sing Higher, arden kaywin, voice teacher los angeles, vocal coach los angeles, voice lessons los angeles

My Secret Weapon Is Now YOUR Secret Weapon!

Ever wonder if there’s one thing you could do to always sing well? Kind of like a secret weapon that would give you power & reliability every single time. Well, I happen to believe there actually is such a concept to sing well.  And once you know it, it globally changes what your body does to make sound when you sing. I know your curious. . . . I call it a secret weapon because of the dramatic effect it has on eliminating strain and creating stability and reliability in your voice. So no matter what genre you sing or what level singer you are, your chances of maximizing your technique to sing well go WAAAAAY up when you understand this key concept. So what is it???? Drum roll please. . . . . OPPOSITION Yup. . . . That might sound totally esoteric to you, but I’m goin’ SUPER fundamental with this one. The concept of Opposition is a game changer. TRUST ME. And you know me, I’m in this for the long haul with you. While I enjoy giving you tips and tricks to sound better singing in the short term – my ultimate goal is to set you

Singing Tips, Singing Technique, Sing Better, Become A Better Singer, Improve My Singing, Technique for Singers, Sound Better Singing, Vocal Technique, Take My Singing To The Next Level, Advice For Singers, belting, healthy belting, how to belt

Tools For Healthy Belting

Do you ever get confused and frustrated by all the conflicting information out there around the idea of healthy belting? Some voice teachers shun the fact that there is even such a thing as healthy belting and they steer singers away from belting entirely. Others teach a technique that doesn’t address the tensions that inefficient belting creates, and unknowingly lead their singers down a dangerous path towards possible vocal injury. I recently heard from a member of my virtual voice studio named Donna asking these very questions. She writes: There is so much information nowadays about singing technique and I am very passionate about it. The thing is, I read a lot of books about vocal technique and met a lot of teachers in order to improve my knowledge (and singing of course) and let’s just say the information gathered was sometimes so confusing and tension friendly. So thank you for sharing your wisdom with everyone! I have a question about those really high belting notes for females (d-d#-e-f): do you have some pieces of advice in order to help one access those notes in a powerful way (with that edge quality)? Is it enough to think about lower support

Singing Tips, Singing Technique, Sing Better, Become A Better Singer, Improve My Singing, Technique for Singers, Sound Better Singing, Vocal Technique, Take My Singing To The Next Level, Advice For Singers, Improve Your Mix, How To Mix, How To Sing In A High Mix Voice, transition from chest voice to head voice smoothly, improve my break, voice teacher los angeles, voice lessons los angeles, vocal coach los angeles, arden kaywin, change from chest voice to head voice

How To Transition From Chest Voice To Head Voice Smoothly

Does switching back and forth from chest voice to head voice give you anxiety? Want to know how to transition from chest voice to head voice smoothly and reliably EVERY SINGLE TIME?  If your answer is “Yes!”read on . . . . First off, you are totally not alone. The ability to transition from chest voice to head voice smoothly is the source of SO much insecurity for so many singers. And second, I don’t blame you! The middle voice can be a tricky part of the voice to negotiate and downright scary without good tools. Today I have some insights that will help. Many singers and voice teachers call this part of the voice “the break” because that’s exactly how it sounds and feels to so many of you. . . . like a fissure in your mechanism preventing you from moving fluidly from one register to another. And boy can it feel scary. . . . . like trying to cross the Grand Canyon without a bridge! Personally, I hate the term “the break”. I don’t use it to describe this part of the voice and I encourage you to toss it out too. You see, the words

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The Mind/Body Effect On Singing Technique – Before & After

Let’s be honest. . . . if there were a pill that could magically improve your singing, I’m pretty sure all of us would take it. Who wouldn’t want to skip the periods of self doubt and angst we go through as we struggle to improve our singing? But what if I told you that it doesn’t have to be such a struggle. The more time I spend working with the mind/body effect on singing technique, the more I am convinced of this: The “magical pill” to unlocking the consistency and growth we all want in our singing is in understanding how to use Present Moment Awareness to step out of the old story of what’s wrong and into what’s possible for your voice. Watch this “Before and After” video to see how Present Moment Awareness works in action with my student Carly. The difference in her sound, in how she is able to use her technique and in the way she feels when singing this way is truly wonderful.     There’s a quote that I love: “Yesterday is history. Tomorrow is a mystery. But today is a gift, that’s why it’s called the present”. We singers are SO very good

Arden Kaywin, Voice Teacher Los Angeles, Vocal Coach Los Angeles, Voice Lessons Los Angeles, Improve Singing

Eliminate The Fear | A Tool To Build Confidence In Your Singing Technique

Halloween this past week got me thinking about the relationship between fear and singing technique. Ghosts and zombies have nothing on the kind of fear that the opening of Gilda’s aria from Rigoletto used to elicit in me. Seriously. . . . there was a time I would rather walk through Haunted Harbor alone at 2am then to have to sing that passage one more time because it exposed every single insecurity I had about my voice and every weakness in my singing technique at the time. So what do you do when you come to a place in a song that exposes the weakest part of your singing technique?  What’s your reaction when you have to sing in the part of your voice that you are really insecure about? Most of us do one of two things: we play defense and pull back to lessen the impact of what we perceive as bad, or we play offense and plough through, trying too hard in an attempt to force a better outcome.  Both are totally normal reactions to avoid the discomfort of feeling “less then” in the moment.  But here’s the thing, these totally normal reactions to our fear and

Before & After video: “Chest Voice and Finding Supported Legato”

Watch how the idea of “talking on pitch” in her song to helps Crystal to stabilize her support and maximize her resonance in her chest voice.

When we talk, most of us innately do many things which maximize our resonance and support our sound, but somehow these things go out the window when we sing, much to the detriment of our sound. So using the tool of “talking on pitch” can help shed some of the inefficient manipulations singers employ which are not needed for a supported and resonant sound.