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Mythbusting 3.0

Feel like a failed singer? You shouldn’t have to feel that way! I usually have to bite my tongue when people tell me all the things they’re doing to improve their singing. . . . . . . . . .because the truth is that most of it doesn’t stand a chance at helping you get where you want to go. There are too many tips online, how do you know what is what? We must cover the big myths that are preventing you from thriving with a reliable, powerful sound and building a sustainable career from it. Why is this important for you? Because you shouldn’t have to suffer one more minute of shame, self-doubt or feeling like a failed singer because you have this amazing gift and you’re not succeeding with it at the level you want. You should feel good singing! We’re gonna cut through all the garbage on this in today’s episode of The Pro Singer Success Collective- Watch now!   . Also incase you haven’t seen it, Watch Arden’s Masterclass:  “The 5 Step Strategy Smart, Professional Singers Use to Finally Get That Breakthrough in Their Singing which Ushers In Big, Sustainable Careers” Click HERE to Watch

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Switching Registers

In this 60 Second Singing Tip, I share what will help you when switching registers for a smooth transition between your head voice and chest voice. The struggle we face in switching between chest voice and head voice is caused by the vocal chords being too tense when we are singing in our lower register. This tightness of the vocal chords causes them to close up making it difficult to then sing with them open in our upper register. The problem is not that our chest register is too low, but if we try to sing higher than it will allow, we force ourselves into a position where the chords are trying to close. You could also think of it like a rubber band. If you stretch a rubber band too far, it gets hard and difficult to move. It’s in a similar way that when we push our chest register too high, it makes it difficult to pass over smoothly into head voice. We need to make sure our chest register is relaxed and available as a high as possible before attempting to switch over into head voice. You’ve probably been struggling for years with these transitions on switching

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Powerful Head Voice

Do you have a powerful head voice? Higher notes with power and ease! When singing with a powerful head voice, support the sound with your diaphragm and keep your throat and jaw relaxed. This will enable you to sing higher notes with power and ease! Here are some tips: Keep your throat relaxed. Don’t press down too hard on the back of your tongue when singing in head voice; instead, maintain good posture and body alignment as you glide easily into this register using portamento through bridges in your voice. Head voice is a valuable tool for singers. It allows you to sing higher with more power and ease, which is why it’s an important part of singing technique. If you want to learn more about head voice and how to use it properly in your singing, check out our other blog posts on the subject! Watch now! . Also incase you haven’t seen it, Watch Arden’s Masterclass:  “The 5 Step Strategy Smart, Professional Singers Use to Finally Get That Breakthrough in Their Singing which Ushers In Big, Sustainable Careers” Click HERE to Watch the Masterclass: https://joinnow.live/s/Eufdk2 . Additionally join our Pro Singer Success Collective Facebook Group tailor made for artists who are

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How to get RID of tension

It used to drive me nuts as a developing singer when my teachers would point out my jaw or neck singing tension when I sang.   This resulted in the typical self-care advice. They would say “Go to yoga, get a massage or go get acupuncture”, all of which I would do. . . . And I would feel great. . . . And then I would come back to singing and be RIGHT back where I started in the same tension again.  It would completely frustrate me to no end!!!! I KNEW that the singing tension was preventing me from my most powerful sound. However nothing I tried had any effect on it UNTIL. . . . I figured out a really simple truth, and I want to share it with you in my next live! Watch the video below now to learn how!  . Also incase you haven’t seen it, Watch Arden’s Masterclass:  “The 5 Step Strategy Smart, Professional Singers Use to Finally Get That Breakthrough in Their Singing which Ushers In Big, Sustainable Careers” Click HERE to Watch the Masterclass: https://joinnow.live/s/Eufdk2 . Additionally join our Pro Singer Success Collective Facebook Group tailor made for artists who are taking their careers to

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Classical Singing vs. Pop Singing – Head Voice

I’ve got a question for you. .  .  . How do you feel about singing in your head voice? Is it no biggie? Or do you cringe at the mere thought of it? Or somewhere in between? If you’re a classical singer: You probably luuuuuuuuuuv singing in your head voice. After all, it’s the warm fuzzy place you call home ninety percent of the time. It’s your happy place – UNTIL – someone asks you to sing a contemporary pop type song (think cousin Ida who will just die unless you sing Whitney Houston’s “I Will Always Love You” at her wedding) and then you panic! You think: How do I sing those notes in a healthy way without shoving my chest voice up too high? If I use my head voice I’ll sound like an opera singer trying to sing pop which is the worst. (Sigh – maybe I’ll be mysteriously sick for the wedding) How do I sing in head voice for pop music? If you’re a pop singer: You probably have more of a love-hate relationship with singing in your head voice.  Using head voice for pop music seems to bring up all kinds of anxiety and confusion. Maybe you’ve even gone so far

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My Secret Weapon Is Now YOUR Secret Weapon!

Ever wonder if there’s one thing you could do to always sing well? Kind of like a secret weapon that would give you power & reliability every single time. Well, I happen to believe there actually is such a concept to sing well.  And once you know it, it globally changes what your body does to make sound when you sing. I know your curious. . . . I call it a secret weapon because of the dramatic effect it has on eliminating strain and creating stability and reliability in your voice. So no matter what genre you sing or what level singer you are, your chances of maximizing your technique to sing well go WAAAAAY up when you understand this key concept. So what is it???? Drum roll please. . . . . OPPOSITION Yup. . . . That might sound totally esoteric to you, but I’m goin’ SUPER fundamental with this one. The concept of Opposition is a game changer. TRUST ME. And you know me, I’m in this for the long haul with you. While I enjoy giving you tips and tricks to sound better singing in the short term – my ultimate goal is to set you

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How To Transition From Chest Voice To Head Voice Smoothly

Does switching back and forth from chest voice to head voice give you anxiety? Want to know how to transition from chest voice to head voice smoothly and reliably EVERY SINGLE TIME?  If your answer is “Yes!”read on . . . . First off, you are totally not alone. The ability to transition from chest voice to head voice smoothly is the source of SO much insecurity for so many singers. And second, I don’t blame you! The middle voice can be a tricky part of the voice to negotiate and downright scary without good tools. Today I have some insights that will help. Many singers and voice teachers call this part of the voice “the break” because that’s exactly how it sounds and feels to so many of you. . . . like a fissure in your mechanism preventing you from moving fluidly from one register to another. And boy can it feel scary. . . . . like trying to cross the Grand Canyon without a bridge! Personally, I hate the term “the break”. I don’t use it to describe this part of the voice and I encourage you to toss it out too. You see, the words

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Eliminate The Fear | A Tool To Build Confidence In Your Singing Technique

Halloween this past week got me thinking about the relationship between fear and singing technique. Ghosts and zombies have nothing on the kind of fear that the opening of Gilda’s aria from Rigoletto used to elicit in me. Seriously. . . . there was a time I would rather walk through Haunted Harbor alone at 2am then to have to sing that passage one more time because it exposed every single insecurity I had about my voice and every weakness in my singing technique at the time. So what do you do when you come to a place in a song that exposes the weakest part of your singing technique?  What’s your reaction when you have to sing in the part of your voice that you are really insecure about? Most of us do one of two things: we play defense and pull back to lessen the impact of what we perceive as bad, or we play offense and plough through, trying too hard in an attempt to force a better outcome.  Both are totally normal reactions to avoid the discomfort of feeling “less then” in the moment.  But here’s the thing, these totally normal reactions to our fear and

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Help! I Can’t Sing High

One of the most common frustrations I hear from singers is that they have trouble singing high notes. Do you relate? If you are a singer who wants help expanding your range so you can learn to sing high notes with ease, read on. Range is a tricky thing. To some degree, our voices are physiologically built for a certain range. Longer, thicker vocal chords constitute a lower voice. The shorter and thinner your chords are, the higher your range is. However, within the boundaries of your physiology, I believe that any singer can begin to increase their range and access higher notes with more ease by experimenting with a few simple tools. Here are two ideas to help you increase your range for singing:  1. Access Your Siren Give yourself the freedom to explore your range outside of the pressure of singing. See what it feels like to “siren” around freely like an ambulance at the top of your range. Ladies, use your head voice for this. Gentlemen, stay in the higher part of your chest resonance, don’t flip into falsetto. Don’t think too much about the sound you’re making. Instead, use the freedom of the siren to play