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How To Transition From Chest Voice To Head Voice Smoothly

Does switching back and forth from chest voice to head voice give you anxiety? Want to know how to transition from chest voice to head voice smoothly and reliably EVERY SINGLE TIME?  If your answer is “Yes!”read on . . . . First off, you are totally not alone. The ability to transition from chest voice to head voice smoothly is the source of SO much insecurity for so many singers. And second, I don’t blame you! The middle voice can be a tricky part of the voice to negotiate and downright scary without good tools. Today I have some insights that will help. Many singers and voice teachers call this part of the voice “the break” because that’s exactly how it sounds and feels to so many of you. . . . like a fissure in your mechanism preventing you from moving fluidly from one register to another. And boy can it feel scary. . . . . like trying to cross the Grand Canyon without a bridge! Personally, I hate the term “the break”. I don’t use it to describe this part of the voice and I encourage you to toss it out too. You see, the words

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My Best Advice For Singers

Every so often I am asked what my best advice for singers is, and I always find the answer hard to articulate  – as if one sentiment could possibly encapsulate all that I want to say! The question came up again recently and has been on my mind.  And then it came to me. . . . . The best advice for singers I can possibly give is SO macro. It’s not about the specifics of breath support or finding resonance. It’s not about learning the right repertoire or understanding your voice type. It has to do with perseverance and dedication. The art and craft of singing, whether you are doing it at the professional level or as a passionate recreational singer, is a process that is and will always be evolving within you. To be a great singer and a great artist is to embrace that process. Become a lifelong learner of your craft.  That, my lovelies, is my best advice for singers. So as summer comes to an end and we’re all back from our lazy summer days (hopefully a little rejuvenated from any travel or vacation time we took), it’s the PERFECT time to get rededicated and

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A Tip To Find Effortless Singing

It’s so awkward being at a show and watching a singer work really, really hard. You see their neck veins pop out, their breaths are gasping and labored as they push and squeeze the phrases out. They have no idea how to sing without strain and it’s exhausting to watch. Have you seen a singer like this? Nothing is worse. Well, I take that back. . . .there is something worse. . . . . BEING that singer who’s pushing, squeezing and otherwise working  waaaaaay too hard. Not only does it alienate your audience, it just doesn’t feel good to sing that way. The truth is, your body wants to sing without strain. If singing doesn’t feel good, that’s your body telling you that you’re not doing it right.  With efficient technique, singing feels effortless. It doesn’t feel like work. In fact, it hardly feels like anything at all . . . . except really, really great! If it feels like a whole lot of work, your body is signaling that you haven’t quite found the sweet spot of efficiency yet. But have no fear! Finding the sweet spot of efficiency is not as elusive as it sounds. One of

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What To Do If You Are Running Out Of Breath When Singing A Long Phrase

Running out of breath when singing a long phrase is SO frustrating! No matter what genre you sing, I think most of us have had the experience. There’s always that one phrase in that one song that gets you every time. I remember a specific piece that used to give me so much anxiety because there was one long phrase I could never make it through no matter how hard I tried. Do you relate? I wish I knew then what I know now. I’ve come to understand that if I’m running out of breath when singing a long phrase, the issue is not what’s happening during the actual phrase.   The problem usually lays in what’s happening with my breath and support BEFORE that phrase – often many, many bars before it. When I’m so laser focused on the actual long phrase, I fail to notice how my singing and breathing in the bars prior to it might be sabotaging my ability to sustain it once I get there. In today’s video, I work with a singer on getting present to why she’s running out of breath when singing a long phrase. Watch the transformation as she backs up, understands

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How To Sing Without A Nasal Tone

It’s coming on summer and one of my favorite things to do here in Los Angeles in summer is go to concerts at The Hollywood Bowl. Hearing amazing music under the stars on a balmy evening with a gourmet picnic and a great glass of wine – well, there’s not much else that can beat that in my book. (If you’re not from L.A. or have never been to The Bowl before, here’s a photo:) Then I realized that The Hollywood Bowl actually plays a huge part in what I teach and how I sing, and THAT makes me love The Bowl even more! You see, so many singers suffer from a brassy or nasal resonance in their sound. How do you sing without a nasal tone? How do you fix a brassy sound? You guessed it . . . . The Hollywood Bowl! In today’s video I will explain how The Hollywood Bowl can help you sing without a nasal tone and rid your resonance of an overly brassy timbre. The ideas in this video were game changing for me when I first learned them, and I’m really excited to share them with you now. You will learn: The

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Improve Your Breath Support With These Two Singing Hacks

Today I’m bringing you two short and sweet technical tips to help you achieve a more reliable breath support. To improve your breath support, it all begins with words. That’s right. . . . not the air, not your diaphragm, not your lungs. . . . words! The words we use to direct ourselves in our technique and around our support REALLY matter.  Changing words shifts understanding. A new understanding shifts mindset. And a new mindset results in a new physical response which helps your body work for you instead of against you in accessing your most efficient singing technique. I love clever life hacks (who knew a balled up piece of tin foil makes a great substitute for steel wool??). Consider these breath support tips my version of clever singing hacks. They are achieved by merely changing a few words! Watch the video. And if you’d like a more in depth understanding of how to achieve proper breath support for singing, check out some of my earlier posts and accompanying videos on the topic: “How To Sing With Appoggio” has really good explanations and exercises for how to find and feel your support correctly in your body. Understanding and

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A Tip To Reduce Tension & Increase Vocal Range

As many of you know, I have a four year old daughter. One of the things I learned from parenting her throughout the toddler years (and now the preschool years) is the value of re-direction. Thank the lord for re-direction!!! I can not overstate how many times this tactic has saved me from being on the receiving end of a major fuss. And for singers, the value of re-direction is just as strong. Re-direction is a really powerful way to combat tension. My favorite re-direction tool is opposition. There are SO many useful applications for opposition in singing. The one I’m focusing on today is using opposition to help singers increase vocal range. In my experience, most singers have much more range then they’re currently able to access. The reason it’s so hard for many of you to make use of the upper reaches of your range is because too much tension builds up around your larynx as you rise in pitch and you get stuck. The idea of opposition can make all the difference in the world in reducing tension in singing to increase vocal range. Watch today’s Blog video to learn how to employ opposition to help you

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Achieving Lasting Breath Support The Italian Way

Throughout history, there have been many, many things Italians have contributed to culture and society that we just wouldn’t want to live without. Think espresso, the jacuzzi, the Mona Lisa and jeans. (Yes, denim can be traced back to Genoa in the 17th century as being worn by sailors. Who knew?) But given what I do for a living and my creative passion, my favorite of all Italian exports is . . . . . . drumroll please: Appoggio What is Appoggio you ask??? Appoggio is an Italian concept of breath support for singing that has been used by centuries of opera singers to achieve a consistency and stability of breath and tone. You don’t have to be an opera singer to reap the benefits of incorporating the idea of Appoggio into your singing. And don’t worry, singing with Appoggio isn’t gong to make you sound like an opera singer if that’s not your bag.  What it will do however, is bring you more freedom and power through stabling your breath support in each phrase. And THAT is what you want no matter what genre you sing. Are you curious to learn more about what Appoggio is and how to

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What Singers Can Learn From Olympians

Using Mindfulness to Improve Your Singing Technique I’m a huge fan of the Olympics, so as you can guess, I’m in hog heaven right now tuning in each night to see the latest from the Winter Games in South Korea. As I watched legendary snowboard champion Shaun White pull off a come-back to get the gold, it got me thinking, as I often do, about parallels to singing. It occurrs to me that training more like an Olympic athlete can help you improve your singing technique. Singing is an artistic endeavor, but in my view, it is also an athletic endeavor. It involves training your body to do the same thing over and over for a desired outcome just as any athlete does. Physically, it is no different then Shaun White training his body to do the mechanics of his amazing snowboard tricks so that when he gets into the competition, he achieves a peak performance that appears effortless. Just like any athlete, a singer’s body cannot do what her brain is sabotaging. While Olympians and pro athletes figured out a long time ago that in order to achieve success, training their mental game is just as important as training

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Two Breath Support Myths Dispelled with a Before & After Video

Dispelling myths about breath support is like taking a sledgehammer to a cracked foundation.  I think most architects would agree that when it comes to building a house, getting the foundation right is the most important part. Without it, the building will not stand (at least not for long!). In the very same way, our breath support is the foundation of our singing. It is from this support that our sound maintains stability. Yet it seems for SO many singers (even those who have had tons of training) a truly solid understanding of this foundation remains elusive. Unfortunately there’s a lot of misleading and contradictory information out there which only serves to confuse more. So in this blog post, I’m going to try to address what I find to be the two most common myths about breath support.   Myth #1 – You should breathe into your belly. Noooooooo! When I see these words on paper this technique looks even more ridiculous. Breathe into my belly? I’m pretty sure I don’t have lungs in my belly. If you’ve heard this, it’s because someone has noticed you are taking shallow breaths which pull your chest and shoulders up. The things is,