Join Arden’s free virtual studio to get member-only tips, tools and singing insights

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BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

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Join Arden’s free virtual studio to get member-only tips, tools and singing insights

IMG_9257-Edit

BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

Please enter your name.
Please enter a valid email address.
Something went wrong. Please check your entries and try again.
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Why Singers Feel Burnt Out

Ever wonder why singers feel burnt out? Let me know if any of this sounds familiar: “Start posting covers on YouTube”, they said… the fans will come rushing in. “Play out, book as many gigs as you can”, they said. Better yet, do FREE gigs for exposure. No, wait….PAY to play! If you’re an opera singer or musical theater singer: “Change your repertoire” or  “Loose 10lbs” they said, ” Just move to NYC!” Give away your best stuff. Free downloads for an email address then cross your fingers those people come to a show. Post on social media 12 times per day.And I love this one… “Try to be authentic”. (I mean seriously . . .if you have to try, then is it really authentic?) All that and you’re no closer to being at the level you want in your career. All that to barely earn anything back. All that time, money and energy spent pursuing this passion and still coming up short. Ugh. If you’re like most singers, you think “I got into this so I could connect to people, move them and create some meaning in this world with my voice on a large scale….not to spend my

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This Tool Is Like Rocket Fuel For Your Technique And Your Career

If you are a singer who is currently feeling stuck and unhappy with where your singing and your career is… And you’re ready to bust through the blocks, build a foundation and sing in a way that yields much bigger results… And not just any results, but the kind that you’re actually excited about… Then you won’t want to miss what I have to share with you today. Since 1999, I’ve sang with major opera companies around the country, made two pop records, sang opera on movie soundtracks, sang pop in national commercials for major brands and had my voice and my songs licensed by tv shows on every major network…. my voice is even in a singing Barbie doll! One could say that I’ve got that whole “singing” thing down. But what looks like a whole lot of success on the outside, was really just my own limiting beliefs run riot on the inside. See, what you don’t know is: I ran from genre to genre, from one city to another (NY to LA), from one goal to another, achieving a modest amount of success in one place before I’d reach a wall that I couldn’t figure out how to get past

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3 Big Mistakes Singers Make – Are You Making Them Too?

Today I’m gonna discuss 3 Big Mistakes that I see singers making all the time without even realizing it. Make these mistakes, and you’re going to have a hell of a time EVER getting off the day-job band wagon and making a big impact with your voice. These 3 Big Mistakes all grow out of one thing. . . . You think of yourself as an Artist. NO! You are a BUSINESS Until you stop thinking of yourself as an artist and start thinking of yourself as a business, you will probably make one, if not all, of these 3 Big Mistakes that keep you from having the success you know you deserve. Mistake #1:  No Strategy I see singers trying to build what in the business world would be called a “Franken-career”. You’re learning everything you’re going need to know for a successful singing career, but it’s like they’re each a puzzle piece from a different box. You learned vocal technique from this expert voice teacher over here You learned performance skills from that program over there You learned audition techniques from this class over here You learned songwriting or recording techniques from that intensive over there You learned about promotion

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What Perfectionism, Joy and Detachment Have To Do With Singing

I went to an elementary school talent show recently, and it was about as chaotic and hysterical as you would imagine. But one thing struck me as each kid got up to do their thing – how much JOY they had while performing. It didn’t matter how good or bad of a dancer/singer/magician/violinist they actually were. Those kids were just SO happy to be up there performing their little hearts out, sharing their excitement and energy with us. It got me thinking how far we stray from that as we get older. Remember how it felt to sing when you were younger? I used to dance around my bedroom in my jammies singing to Whitney Houston and George Michael (I’m a child of the 80’s, what can I say!). Remember how it felt before singing became this thing you had to conquer and perfect? The thing is, perfectionism leads us to over control. The more we try to control our sound, the less we trust our technique and the worse our performances become. Perfectionism is the thief of JOY. Yet so many of us are such control freaks and perfectionists around our singing! I should know because once upon a

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Interested in doing The 4 Month Intensive? Don’t miss this!

I’m thrilled to announce that today, I’m opening up a big discount on The 4 Month Intensive and the Second Level Intensive only to members of my Virtual Voice Studio. It’s TIME SENSITIVE so watch this video now for the details! My Intensives have helped singers just like you, who are ready and hungry for a change. As life has proven to me again and again: If you want different results, then you have to try a different approach. Most of us need a good jumpstart to create real lasting change in our singing.  The Intensive could be that for you if you are ready to: Tap into your full singing potential Acknowledge yourself as someone ready to invest in the future of your singing Stop playing small and let go of your story Create a soul-centered relationships with your talent Be vulnerable Do what you say you are going to do Make commitments and take action This type of results focused work is not taught by most voice teachers. Integrating the mind/body experience with vocal technique is not a skill that most singers realize they even need! (Hint: If you’re working your tail off, but can’t figure out why you’re still not singing

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How To Let Go Of The Baggage Holding You Back From Singing Your Best

There is something I’ve been meaning to tell you. It’s something you may not tell yourself very often so I’m going to say it to you now. You are a wonderful singer. Truly. May I ask you a question? When you read my compliment just now, did any part of you flinch? Were you able to soak it in or did your inner critic chime in with doubt that the compliment was really meant for you, and go on to remind you of the ways it thinks your singing isn’t really that wonderful? I believe that at its core, singing is an exchange of energy. We use our bodies to create a sound – a form of energy unique to us – which we put out there to be absorbed by those who can hear it. That energy affects those listening and in doing so, their energy transforms in relation to it. For many of you, years spent internalizing the sentiments of your inner critic has created limiting beliefs. And when you have limiting beliefs about your voice and your talent, it negatively effects your ability to fully engage in the energetic exchange of sound in powerful ways. Most fundamentally, limiting beliefs

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Up-Level Your Singing Technique Using Sensory Awareness In Your Body

Having a present moment sensory awareness of your body while you sing is a MAJOR key ingredient to your ability to take your singing to that next level.   One thing I know for sure: you can not change what you are not aware of.    So an essential component of singing to your potential, and the thing that has the biggest effect on how successful you are in doing so, is your ability to be present to ALL the sensations of your singing in your body in the moment (both the efficient and the inefficient).   Rather then writing a lengthy blog, today I’m pulling back the curtain and taking you inside my studio to be a fly on the wall as I work with one of my students on this very thing – returning to the present moment sensory awareness of her body while singing.    In today’s video you will learn one of the exact step-by-step methods I use (that you can use too!) linking present moment sensory awareness to your vocal technique.   Spoiler alert! This video isn’t filled with sexy high notes, power belting or fast  passage work designed to impress you. Nope. This is the nitty-gritty work. It ain’t

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What we all do that is the absolute definition of insane. . . .

  A little bit of business first: TOMORROW (Thurs 1/31) I will be LIVE ON FACEBOOK at 11am PST / 2pm EST / 7pm GMT for the very first time!  Click HERE to watch live or view the saved video later.  Episode 1 Topic: The #1 thing that will up-level your understanding of breath support for singing.    This is the MOST fundamental and FIRST thing I teach all of the singers who come to work with me privately, regardless if they’re an advanced singer or relatively new to technique. In my opinion, it’s the foundation that all other good singing technique is built on and I’ve got a whole new perspective on it for you LIVE TOMORROW.    If you’ve been coasting along with the same understanding of support for a while, wondering if there’s another layer of ease and consistency in your singing, I hope you will watch.   Now, enough business. Getting back to my subject for today. . . . . . My favorite mindfulness teacher posted something on his Instagram a few days ago that I really want to share with you.   I always say that when you change your thinking, you change your singing – and this post really made me

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My Best Advice For Singers

Every so often I am asked what my best advice for singers is, and I always find the answer hard to articulate  – as if one sentiment could possibly encapsulate all that I want to say! The question came up again recently and has been on my mind.  And then it came to me. . . . . The best advice for singers I can possibly give is SO macro. It’s not about the specifics of breath support or finding resonance. It’s not about learning the right repertoire or understanding your voice type. It has to do with perseverance and dedication. The art and craft of singing, whether you are doing it at the professional level or as a passionate recreational singer, is a process that is and will always be evolving within you. To be a great singer and a great artist is to embrace that process. Become a lifelong learner of your craft.  That, my lovelies, is my best advice for singers. So as summer comes to an end and we’re all back from our lazy summer days (hopefully a little rejuvenated from any travel or vacation time we took), it’s the PERFECT time to get rededicated and

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How To Sing Without Tension & Why “Why” Matters

Have you ever noticed that so many of the tools and ideas I give you to help you sing without tension have a component of mindfulness in them?  I realized recently that I don’t always explain why I do that, or why mindfulness plays such a big part in reducing tension and the way that I teach. So today I really want to circle back to the “why” of it all and also give you an exercise for how to sing without tension in your own practice. So why is mindfulness so important to help you sing without tension so you can sound better and feel better singing? As singers, our body is our instrument. You’ve heard me say that about a million times, right? And just like a trombone player or a cello player makes sure that their instrument is in good working order, we too need to make sure our instrument (our body) is set up to work our technique as efficiently as possible. For singers, the main thing that compromises our instrument and our technique is tension. I know so many of you deal first hand with the discomforts of tension in your singing and would do