Join Arden’s free virtual studio to get member-only tips, tools and singing insights

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BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

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Join Arden’s free virtual studio to get member-only tips, tools and singing insights

IMG_9257-Edit

BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

Please enter your name.
Please enter a valid email address.
Something went wrong. Please check your entries and try again.
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SINGERS IN THE TIME OF COVID-19: How To Stay Sane While Everything Is Going A Little Nuts

Here’s a little hope and help for performers during Covid-19. The pandemic is obviously top of mind for everyone right now, and it’s affecting each of us in different ways. Today I wanted to bring you some of the training I do with the singers in my Intensive Program because the same ideas can be really helpful to center yourself amid Coronavirus and everything associated with it. There are some great tools and reframes in here to help you find some sanity and grace amid all that we are experiencing right now. You can access it by clicking below to watch. SINGERS IN THE TIME OF COVID-19: How to stay sane while everything is going a little nuts. I want to support you in the ways that I can to give you some hope right now and this video training is just one small gesture. The performing community is dealing with a lot of fear and uncertainty right now given the effects of COVID-19 on our industry.   The ideas in this video are aimed at guiding you to create a new emotional home for yourself around the challenges we are all facing.   In doing so, I hope you will

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Don’t Take One More Voice Lesson Before Reading This

I’m sitting here trying to figure out the best way to open up this GIANT can of worms. And I’ve come to the conclusion that there’s really no way to sugar coat it, so I’m just gonna be blunt. The way singers are currently trained in this country DOES NOT WORK. It gets me SO riled up because you guys are being totally fleeced by a broken system and it’s costing you the fulfillment of your talent (not to mention your career). And it’s not your fault!! Odds are that you’ve been a casualty of this flawed system and you didn’t even know it. Before you take one more voice lesson, watch today’s video to learn more.   

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Three Blindspots Preventing Growth In You Singing and Your Career

Are you doing everything you can for your singing? I bet you’re not. And I say that with zero judgement whatsoever cause I’ve been where you are. If it feels like you’re close, like you’re one step from getting the sound you want whenever you want, you’re one performance away from feeling like you “own” it, like you’re one step away from that big break…. Listen up. Your singing is a reflection of you. There’s something you’re doing that’s holding you back. It happens to everyone. But the real problem is, it can cost you years of your life and waste thousands of dollars if you don’t figure it out. If you want to know which ‘blind spots’ are holding you back, so you can get past them once and for all and make a big impact with your voice… Don’t miss this training I did earlier this week: “Three Blindspots Preventing Growth in Your Singing”.   Watch HERE 👇

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This Tool Is Like Rocket Fuel For Your Technique And Your Career

If you are a singer who is currently feeling stuck and unhappy with where your singing and your career is… And you’re ready to bust through the blocks, build a foundation and sing in a way that yields much bigger results… And not just any results, but the kind that you’re actually excited about… Then you won’t want to miss what I have to share with you today. Since 1999, I’ve sang with major opera companies around the country, made two pop records, sang opera on movie soundtracks, sang pop in national commercials for major brands and had my voice and my songs licensed by tv shows on every major network…. my voice is even in a singing Barbie doll! One could say that I’ve got that whole “singing” thing down. But what looks like a whole lot of success on the outside, was really just my own limiting beliefs run riot on the inside. See, what you don’t know is: I ran from genre to genre, from one city to another (NY to LA), from one goal to another, achieving a modest amount of success in one place before I’d reach a wall that I couldn’t figure out how to get past

A Tool For Stability In Breath Support

When it comes to vocal technique, I think the thing singers struggle with the most is (drumroll please). . . . breath support! Would you agree?? That’s why regardless of if you’re a pro who’s been at this for a while or you’re a new singer just starting out, you can never have too many tools in your arsenal for good breath support.  And of all the things you can do to improve your breath support, there’s one global idea you need to know to make all the other tools work. Watch this video to find out what it is and learn how to implement it!                

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Classical Singing vs. Pop Singing – Head Voice

I’ve got a question for you. .  .  . How do you feel about singing in your head voice? Is it no biggie? Or do you cringe at the mere thought of it? Or somewhere in between? If you’re a classical singer: You probably luuuuuuuuuuv singing in your head voice. After all, it’s the warm fuzzy place you call home ninety percent of the time. It’s your happy place – UNTIL – someone asks you to sing a contemporary pop type song (think cousin Ida who will just die unless you sing Whitney Houston’s “I Will Always Love You” at her wedding) and then you panic! You think: How do I sing those notes in a healthy way without shoving my chest voice up too high? If I use my head voice I’ll sound like an opera singer trying to sing pop which is the worst. (Sigh – maybe I’ll be mysteriously sick for the wedding) How do I sing in head voice for pop music? If you’re a pop singer: You probably have more of a love-hate relationship with singing in your head voice.  Using head voice for pop music seems to bring up all kinds of anxiety and confusion. Maybe you’ve even gone so far

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My Secret Weapon Is Now YOUR Secret Weapon!

Ever wonder if there’s one thing you could do to always sing well? Kind of like a secret weapon that would give you power & reliability every single time. Well, I happen to believe there actually is such a concept to sing well.  And once you know it, it globally changes what your body does to make sound when you sing. I know your curious. . . . I call it a secret weapon because of the dramatic effect it has on eliminating strain and creating stability and reliability in your voice. So no matter what genre you sing or what level singer you are, your chances of maximizing your technique to sing well go WAAAAAY up when you understand this key concept. So what is it???? Drum roll please. . . . . OPPOSITION Yup. . . . That might sound totally esoteric to you, but I’m goin’ SUPER fundamental with this one. The concept of Opposition is a game changer. TRUST ME. And you know me, I’m in this for the long haul with you. While I enjoy giving you tips and tricks to sound better singing in the short term – my ultimate goal is to set you

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Interested in doing The 4 Month Intensive? Don’t miss this!

I’m thrilled to announce that today, I’m opening up a big discount on The 4 Month Intensive and the Second Level Intensive only to members of my Virtual Voice Studio. It’s TIME SENSITIVE so watch this video now for the details! My Intensives have helped singers just like you, who are ready and hungry for a change. As life has proven to me again and again: If you want different results, then you have to try a different approach. Most of us need a good jumpstart to create real lasting change in our singing.  The Intensive could be that for you if you are ready to: Tap into your full singing potential Acknowledge yourself as someone ready to invest in the future of your singing Stop playing small and let go of your story Create a soul-centered relationships with your talent Be vulnerable Do what you say you are going to do Make commitments and take action This type of results focused work is not taught by most voice teachers. Integrating the mind/body experience with vocal technique is not a skill that most singers realize they even need! (Hint: If you’re working your tail off, but can’t figure out why you’re still not singing

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Learn How To “Sing On The Gesture Of Inhalation”

My voice teacher in grad school would always say that unlike instrumentalists, singers are not able to objectively look at our instrument. So the development of our imagination is crucial to how we “play” it.    If your goal is to play your instrument to it’s potential, then opening your imagination to conceive of your singing technique in new and different ways is essential.    Today I’ve got a new image for you that will stabilize your breath support.    If you are a singer who has ever struggled to get through a long phrase. . . . If you are a singer who has ever experienced tension and strain as pitch rises. . . . If you are a singer who has ever struggled with stamina. . . .   This one’s for you!! You just need some better tools to stabilize your breath support. I bring you this image courtesy of two of the great vocalists of the last century. Thomas Hampson, one of the great baritone voices of the last 50yrs, and Richard Miller, a vocal pedagogy pioneer, voice teacher (at my alma mater) and author of the seminal book on singing technique “The Structure Of Singing”.    Both Hampson and

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Demystifying Breath Support

Lately I’ve been noticing just how much confusion and frustration singers have around breath support and breathing for singing.     Singers can get SO down on themselves when they don’t feel their breath is beneath them. Do you relate?   You’re tired of the fear of not making it to the end of the phrase. You wonder why your high notes feel strained. You’re frustrated when you don’t consistently sing the way you want to. You start blaming yourself that it’s all your fault you don’t really have what it takes. You start wondering if you are talented enough to be on this path.     The Inner Critic runs riot when, in reality. . . . . it’s not your fault!   It ALL comes down to breath support.  And you just haven’t been given the right tools to unlock the foundation of your support yet.    In my 20 years of helping singers and being a professional singer myself, I’ve discovered this:   The key to unlocking the foundation of good singing starts with getting under the hood to understand a few simple concepts about the physiology of breath support and sound. It’s a step that SO often gets skipped.   But that stops today!!   Now