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Why You Have Tension & Strain When You Sing (and other reasons high notes are hard)

The Holy Grail for singers is the ability to sing without strain and tension throughout the entire expanse of your range while finding a free, powerful, resonant and vulnerable sound. Simple right???? I’m rolling my eyes right now – you probably are too. I feel you. I mean, if singing like that were simple, you’d be doing it by now. You would never strain going for high notes, you would never tense up at the end of a long phrase, you’d never feel anxious about what sound was going to come out – it would be amazing! The thing is, there’s a really good reason you’re frustrated, and guess what? It’s not your fault. Odds are, nobody ever told you about The Negative Feedback Loop Of Tension! I was reminded of The Negative Feedback Loop Of Tension recently when I got this message from a member of my virtual voice studio named Frankie. He writes:  “Just found your Chanel and I am hooked so far. I do need help with one thing. I have so much strain and tension and it will not go. I have watched hundreds of videos, honestly if not near thousands. When I push more and

Singing Tips, Singing Technique, Sing Better, Become A Better Singer, Improve My Singing, Technique for Singers, Sound Better Singing, Vocal Technique, Take My Singing To The Next Level, Advice For Singers, belting, healthy belting, how to belt

Tools For Healthy Belting

Do you ever get confused and frustrated by all the conflicting information out there around the idea of healthy belting? Some voice teachers shun the fact that there is even such a thing as healthy belting and they steer singers away from belting entirely. Others teach a technique that doesn’t address the tensions that inefficient belting creates, and unknowingly lead their singers down a dangerous path towards possible vocal injury. I recently heard from a member of my virtual voice studio named Donna asking these very questions. She writes: There is so much information nowadays about singing technique and I am very passionate about it. The thing is, I read a lot of books about vocal technique and met a lot of teachers in order to improve my knowledge (and singing of course) and let’s just say the information gathered was sometimes so confusing and tension friendly. So thank you for sharing your wisdom with everyone! I have a question about those really high belting notes for females (d-d#-e-f): do you have some pieces of advice in order to help one access those notes in a powerful way (with that edge quality)? Is it enough to think about lower support

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Dealing With Insecurity In Our Singing

Do you ever look at another singer and feel jealous because it seems to come so easily to them? And then you think to yourself how nice it would be to sing like them because if you could do that, then all your insecurity would just vanish? Not to burst your bubble, but in my twenty-five years of performing and teaching, I have yet to meet a singer who does not deal with some form of insecurity. Even those singers who we perceive to be the most talented, have the best technique and who seem to be at the top of their game feel insecure about their voice at one time or another. It’s just part of the experience of being a singer that the majority of us share. Most of our insecurity is tied up with our attachment to the perceptions of others. And I get it, trust me I do. It’s really hard not to be concerned about what others think of us when we’re putting a piece of ourselves and our talent out there into the world. That’s why most of us sing best in the shower or in the car when nobody is listening – we

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A Tip To Reduce Tension & Increase Vocal Range

As many of you know, I have a four year old daughter. One of the things I learned from parenting her throughout the toddler years (and now the preschool years) is the value of re-direction. Thank the lord for re-direction!!! I can not overstate how many times this tactic has saved me from being on the receiving end of a major fuss. And for singers, the value of re-direction is just as strong. Re-direction is a really powerful way to combat tension. My favorite re-direction tool is opposition. There are SO many useful applications for opposition in singing. The one I’m focusing on today is using opposition to help singers increase vocal range. In my experience, most singers have much more range then they’re currently able to access. The reason it’s so hard for many of you to make use of the upper reaches of your range is because too much tension builds up around your larynx as you rise in pitch and you get stuck. The idea of opposition can make all the difference in the world in reducing tension in singing to increase vocal range. Watch today’s Blog video to learn how to employ opposition to help you

Arden Kaywin, Voice Lessons Los Angeles, Man Struggling to Sing High Notes,

Help! I Can’t Sing High

One of the most common frustrations I hear from singers is that they have trouble singing high notes. Do you relate? If you are a singer who wants help expanding your range so you can learn to sing high notes with ease, read on. Range is a tricky thing. To some degree, our voices are physiologically built for a certain range. Longer, thicker vocal chords constitute a lower voice. The shorter and thinner your chords are, the higher your range is. However, within the boundaries of your physiology, I believe that any singer can begin to increase their range and access higher notes with more ease by experimenting with a few simple tools. Here are two ideas to help you increase your range for singing:  1. Access Your Siren Give yourself the freedom to explore your range outside of the pressure of singing. See what it feels like to “siren” around freely like an ambulance at the top of your range. Ladies, use your head voice for this. Gentlemen, stay in the higher part of your chest resonance, don’t flip into falsetto. Don’t think too much about the sound you’re making. Instead, use the freedom of the siren to play