Vocal Fatigue Archives | Arden Kaywin Vocal Studio

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BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

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Join Arden’s free virtual studio to get member-only tips, tools and singing insights

IMG_9257-Edit

BRAVO

I’m so excited to have you!

Studio Members get motivational emails every once in a while, first dibs on scholarship seats to singing workshops and master-classes and other studio member-only resources I don’t offer anywhere else.

Please enter your name.
Please enter a valid email address.
Something went wrong. Please check your entries and try again.
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Are The Fires Affecting Your Voice? (Hint: They Are)

How many of you have felt instances over the last few months where your voice just doesn’t feel “right” or “the same” but you weren’t sick or having allergies and your teacher is telling you that your technique is fine?  The culprit could likely be air quality. This has been a rough year for many of us when it comes to air quality because of the massive fires that have affected large parts of the western United States. Even if you don’t live in the immediate area where the fire is burning, wind patterns can cause smoke and particulate matter into your area and you may have been affected. Even as we speak, Southern California is facing another massive fire and I’m hearing significantly more complaints from singers noticing things like loss of vocal range, increased phlegm and hoarseness. If you’re thinking that you might be affected and wondering how smoke from fires and air pollution affects your voice, I wanted to pass along a great article from Dr. Rena Gupta at the Center For Vocal Health. Dr. Gupta shares some really cool videos and images that show you what happens to cords and how their functioning can be impeded

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Learn How To “Sing On The Gesture Of Inhalation”

My voice teacher in grad school would always say that unlike instrumentalists, singers are not able to objectively look at our instrument. So the development of our imagination is crucial to how we “play” it.    If your goal is to play your instrument to it’s potential, then opening your imagination to conceive of your singing technique in new and different ways is essential.    Today I’ve got a new image for you that will stabilize your breath support.    If you are a singer who has ever struggled to get through a long phrase. . . . If you are a singer who has ever experienced tension and strain as pitch rises. . . . If you are a singer who has ever struggled with stamina. . . .   This one’s for you!! You just need some better tools to stabilize your breath support. I bring you this image courtesy of two of the great vocalists of the last century. Thomas Hampson, one of the great baritone voices of the last 50yrs, and Richard Miller, a vocal pedagogy pioneer, voice teacher (at my alma mater) and author of the seminal book on singing technique “The Structure Of Singing”.    Both Hampson and

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A Tip To Find Effortless Singing

It’s so awkward being at a show and watching a singer work really, really hard. You see their neck veins pop out, their breaths are gasping and labored as they push and squeeze the phrases out. They have no idea how to sing without strain and it’s exhausting to watch. Have you seen a singer like this? Nothing is worse. Well, I take that back. . . .there is something worse. . . . . BEING that singer who’s pushing, squeezing and otherwise working  waaaaaay too hard. Not only does it alienate your audience, it just doesn’t feel good to sing that way. The truth is, your body wants to sing without strain. If singing doesn’t feel good, that’s your body telling you that you’re not doing it right.  With efficient technique, singing feels effortless. It doesn’t feel like work. In fact, it hardly feels like anything at all . . . . except really, really great! If it feels like a whole lot of work, your body is signaling that you haven’t quite found the sweet spot of efficiency yet. But have no fear! Finding the sweet spot of efficiency is not as elusive as it sounds. One of

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Mental Practice – A Singing Technique So Easily Overlooked

Sometimes the most efficient form of practicing singing doesn’t involve singing at all. Singing is an athletic endeavor, don’t let anyone tell you any different. We are asking our body to do the same thing over and over again for a desired outcome. Just like a major league pitcher or an Olympic sprinter, a singer’s body is our instrument. And no matter how good your technique or how healthfully you sing, there comes a point where too much practice singing will fatigue your instrument. The common wisdom is that a singer should sing for no more then about three hours a day total, and not more then about an hour straight without a break for vocal rest. But every singer is different. It is so important to know your instrument well enough that you are aware of what it feels like as you approach the threshold of overuse so that you can stop singing before you reach it. After that point, the idea of “mental practice” becomes essential. What is mental practice? Mental practice consists of taking yourself through your music in your mind’s eye (or in this case, ear) in a deliberate and specific way to reinforce your technique and