I’m gonna be brutally honest for a second. Right now, there are thousands of singers trying to make it in this business. They’re twisting themselves into pretzels to be, sound and look like what they think the industry wants. They’re obsessively focused on mastering technique. They’re going on TV reality shows like The Voice, Idol and AGT just to get noticed. They’re even paying to perform instead of getting paid to perform (pay-to-play gigs and YAPs). And despite all of that, most of them aren’t even close to getting paid to sing regularly, much less touring around the world to widespread acclaim. If you’ve been following me for a while, then you know that the strategies I mentioned above – people pleasing the industry, technique tunnel vision, reality shows and “pay-to play” gigs – are absolutely worthless, in my opinion. If you want a world class singing career, you’ll never get there in a million years if you do those things. There’s a much shorter path. But is that the REAL reason talented, professional singers are struggling? No. The real reason is that most of these singers lack vulnerability. VULNERABILITY. When they perform, they present a façade of who they think they need to
Have you seen yourself and other singers asking: “But what if it doesn’t work out?” “What if I’m never able to make a living as a singer?” “What if I’m rejected by the industry?” “What if I’m never able to break in?” “What if try it and fail?” “What if I can’t do it after all the training and effort?” This one question stunts most singers’ growth severely. It prevents you from taking a chance, from doing something differently, from having a shot at success. And in the meantime, most singers asking this question are wasting the MOST important non-renewable resource in their life: TIME. While this question continues to run on the treadmill in their heads – getting nowhere fast, preventing them from success – hours turn into days, weeks, months and years – AND NOTHING CHANGES. 3 years in – they’re still putting themselves out there and coming up short. 5 years in – they’re wondering if it’s time to let their artistic dream go and commit to a “real” job. 10 years in – they’re feeling bitter that all this hard work went into their singing and didn’t count for anything. So, I want to flip this question for
Happy New Year! I hope you had a wonderful holiday. I was in Florida (where I grew up) for the holiday visiting family and doing a whole lot of nothing which was BLISSFULLY perfect. Now I’m back in the swing of things, and it got me thinking about what words of motivation I have for you as you embark on this new year and new decade. And I was reminded of something my meditation wrote which I want to share with you. “trust your awareness. expand your vision. plant your intention and match your actions with it. cultivate discipline, dedication, and love for your artistic path.” I’ve learned that if you cultivate these things, you cannot go wrong. Lean into these things and your singing and artistry will bloom. Embody these things and your career will thrive. Let 2020 be the year you shift your relationship with your singing to bring you less frustration and more joy. If you need a proven strategy and expert guidance to help you, I would be honored to be your guide. Here’s to the start of an amazing year!
Are you doing everything you can for your singing? I bet you’re not. And I say that with zero judgement whatsoever cause I’ve been where you are. If it feels like you’re close, like you’re one step from getting the sound you want whenever you want, you’re one performance away from feeling like you “own” it, like you’re one step away from that big break…. Listen up. Your singing is a reflection of you. There’s something you’re doing that’s holding you back. It happens to everyone. But the real problem is, it can cost you years of your life and waste thousands of dollars if you don’t figure it out. If you want to know which ‘blind spots’ are holding you back, so you can get past them once and for all and make a big impact with your voice… Don’t miss this training I did earlier this week: “Three Blindspots Preventing Growth in Your Singing”. Watch HERE 👇
Ever wonder why singers feel burnt out? Let me know if any of this sounds familiar: “Start posting covers on YouTube”, they said… the fans will come rushing in. “Play out, book as many gigs as you can”, they said. Better yet, do FREE gigs for exposure. No, wait….PAY to play! If you’re an opera singer or musical theater singer: “Change your repertoire” or “Loose 10lbs” they said, ” Just move to NYC!” Give away your best stuff. Free downloads for an email address then cross your fingers those people come to a show. Post on social media 12 times per day.And I love this one… “Try to be authentic”. (I mean seriously . . .if you have to try, then is it really authentic?) All that and you’re no closer to being at the level you want in your career. All that to barely earn anything back. All that time, money and energy spent pursuing this passion and still coming up short. Ugh. If you’re like most singers, you think “I got into this so I could connect to people, move them and create some meaning in this world with my voice on a large scale….not to spend my
If you are a singer who is currently feeling stuck and unhappy with where your singing and your career is… And you’re ready to bust through the blocks, build a foundation and sing in a way that yields much bigger results… And not just any results, but the kind that you’re actually excited about… Then you won’t want to miss what I have to share with you today. Since 1999, I’ve sang with major opera companies around the country, made two pop records, sang opera on movie soundtracks, sang pop in national commercials for major brands and had my voice and my songs licensed by tv shows on every major network…. my voice is even in a singing Barbie doll! One could say that I’ve got that whole “singing” thing down. But what looks like a whole lot of success on the outside, was really just my own limiting beliefs run riot on the inside. See, what you don’t know is: I ran from genre to genre, from one city to another (NY to LA), from one goal to another, achieving a modest amount of success in one place before I’d reach a wall that I couldn’t figure out how to get past
When it comes to vocal technique, I think the thing singers struggle with the most is (drumroll please). . . . breath support! Would you agree?? That’s why regardless of if you’re a pro who’s been at this for a while or you’re a new singer just starting out, you can never have too many tools in your arsenal for good breath support. And of all the things you can do to improve your breath support, there’s one global idea you need to know to make all the other tools work. Watch this video to find out what it is and learn how to implement it!
I went to an elementary school talent show recently, and it was about as chaotic and hysterical as you would imagine. But one thing struck me as each kid got up to do their thing – how much JOY they had while performing. It didn’t matter how good or bad of a dancer/singer/magician/violinist they actually were. Those kids were just SO happy to be up there performing their little hearts out, sharing their excitement and energy with us. It got me thinking how far we stray from that as we get older. Remember how it felt to sing when you were younger? I used to dance around my bedroom in my jammies singing to Whitney Houston and George Michael (I’m a child of the 80’s, what can I say!). Remember how it felt before singing became this thing you had to conquer and perfect? The thing is, perfectionism leads us to over control. The more we try to control our sound, the less we trust our technique and the worse our performances become. Perfectionism is the thief of JOY. Yet so many of us are such control freaks and perfectionists around our singing! I should know because once upon a
I’ve got a question for you. . . . How do you feel about singing in your head voice? Is it no biggie? Or do you cringe at the mere thought of it? Or somewhere in between? If you’re a classical singer: You probably luuuuuuuuuuv singing in your head voice. After all, it’s the warm fuzzy place you call home ninety percent of the time. It’s your happy place – UNTIL – someone asks you to sing a contemporary pop type song (think cousin Ida who will just die unless you sing Whitney Houston’s “I Will Always Love You” at her wedding) and then you panic! You think: How do I sing those notes in a healthy way without shoving my chest voice up too high? If I use my head voice I’ll sound like an opera singer trying to sing pop which is the worst. (Sigh – maybe I’ll be mysteriously sick for the wedding) How do I sing in head voice for pop music? If you’re a pop singer: You probably have more of a love-hate relationship with singing in your head voice. Using head voice for pop music seems to bring up all kinds of anxiety and confusion. Maybe you’ve even gone so far
Ever wonder if there’s one thing you could do to always sing well? Kind of like a secret weapon that would give you power & reliability every single time. Well, I happen to believe there actually is such a concept to sing well. And once you know it, it globally changes what your body does to make sound when you sing. I know your curious. . . . I call it a secret weapon because of the dramatic effect it has on eliminating strain and creating stability and reliability in your voice. So no matter what genre you sing or what level singer you are, your chances of maximizing your technique to sing well go WAAAAAY up when you understand this key concept. So what is it???? Drum roll please. . . . . OPPOSITION Yup. . . . That might sound totally esoteric to you, but I’m goin’ SUPER fundamental with this one. The concept of Opposition is a game changer. TRUST ME. And you know me, I’m in this for the long haul with you. While I enjoy giving you tips and tricks to sound better singing in the short term – my ultimate goal is to set you