Dispelling myths about breath support is like taking a sledgehammer to a cracked foundation. I think most architects would agree that when it comes to building a house, getting the foundation right is the most important part. Without it, the building will not stand (at least not for long!). In the very same way, our breath support is the foundation of our singing. It is from this support that our sound maintains stability. Yet it seems for SO many singers (even those who have had tons of training) a truly solid understanding of this foundation remains elusive. Unfortunately there’s a lot of misleading and contradictory information out there which only serves to confuse more. So in this blog post, I’m going to try to address what I find to be the two most common myths about breath support. Myth #1 – You should breathe into your belly. Noooooooo! When I see these words on paper this technique looks even more ridiculous. Breathe into my belly? I’m pretty sure I don’t have lungs in my belly. If you’ve heard this, it’s because someone has noticed you are taking shallow breaths which pull your chest and shoulders up. The things is,
Do you ever feel like your breathing for singing doesn’t work the way you want it to? Do you ever feel like you understand how your breath support is supposed to happen, but then it fails you when you get into a phrase? It could be that you are ignoring one VERY important element of your singing technique that could make all the difference in the world: Your back! In today’s blog video I explain why the back is so essential in breathing for singing and supporting your sound. Once I became aware of my back and understood how to use it when I sing, everything became easier. If you’ve never paid attention to this part of your body in your singing, hold onto your shirt cause everything is about to become a whole lot better! Watch now and learn: Exercises for how to access the full expansion of your back on the inhale Understanding why you shouldn’t focus on your front body when you breathe Exercises for how to employ your back to sing longer phrases without getting out of breath How using your back will help you achieve a clearer resonance And so much more . . .
Have you ever noticed that really great singers always seem to be smiling when they sing? (From top Left: Beyonce, Joan Sutherland, Pavarotti, Sam Smith, Audra McDonald, Placido Domingo, Sutton Foster) Are they all just perpetually happy? Are they smiling because their singing technique is so damn great? Au contraire mon frère – their singing technique is so damn great because they’re smiling!! It doesn’t matter if it’s Beyonce or Joan Southerland, great singers across the board know that the secret to great resonance has to do with “the smile”. Whether they’re opera singers, pop singers or musical theater performers, when the camera clicks mid-phrase, they all look the same, they’ve all got “the smile”. You too can improve your singing resonance by incorporating the idea of “the smile”. When a singer has “the smile”, it’s important to understand that it’s really not about showing off your pearly whites and saying cheese. It’s actually about the shape you achieve on of the inside of your mouth when the outside of your face appears to be smiling. It’s that shape which has the biggest effect on your ability to create an amazing, resonant sound easily. Do you want to know what the
The importance of ‘gratitude’ is often discussed this time of year, and I’ve found a way of using gratitude that can be even more powerful when linked to our singing technique. This isn’t just a “woo woo” theory. I use this idea in my studio and in my own singing technique year round and I can attest to the results. You’ll learn exactly what this is all about, and the four steps to implementing it into your singing technique in today’s blog video: Now I’d love to hear from you. After you’ve done the gratitude and awareness journaling exercise I outline in the video, in the comments below please share your discoveries to these questions: In what ways do I interfere with my body’s efficient design to make sound? (Think about your habits, tensions, ideas of control and manipulation of sound) What would happen if I stepped out of the way? (In what way can gratitude help me entrust my technique to my body’s sound making design?) What feelings come up when I think about the prospect of doing this? Remember, share as much detail as possible in your reply. So many singers come here each week