Singing Tension, Advice For Singers, Arden Kaywin, Get Out Of My Head While Singing, getting results fast, help for performers during coronavirus, help for singers, Improve My Singing, limiting beliefs, Mindfulness Technique for Singers, online singing lessons, online singing program, online singing workshops, online vocal coach, online voice lessons, online voice program, online voice teacher, Sing Better, singers and corona virus, singing and mindfulness, singing technique, singing tips, Sound Better Singing, Start the year off strong, Take My Singing To The Next Level, While Singing, phrase stability

Phrase Stability

Let’s talk Phrase Stability.  Do you know what it’s like to start a phrase high and then crash down at the end? It’s not fun… It can leave an audience or listener feeling unfulfilled, like something is missing from the experience. Furthermore, not fun for you as the singer! Learn a simple tip that will help you maintain phrase stability throughout your entire performance! Phrase Stability Stable phrases are more musical. Stable phrases are more powerful. Stable phrases are more expressive. And of course, we can’t forget the most important reason of all for using stable phrasing—it makes your music sound better! Are you soaring as you approach the top of a phrase, only to lose control and come crashing down? This common problem is when a singer pushes too hard, causing them to push past their limits. It’s important to understand how phrase stability works in order for us to fix it. What does “phrase stability” mean? It means controlling your voice at the end of each musical unit (a thought/idea). When we talk about mastering this skill, we call it control. Phrase stability is important because if your phrases are unstable and not controlled, then they can sound

Singing Tips, Singing Technique, Sing Better, Become A Better Singer, Improve My Singing, Technique for Singers, Sound Better Singing, Vocal Technique, Take My Singing To The Next Level, Advice For Singers, belting, healthy belting, how to belt

Tools For Healthy Belting

Do you ever get confused and frustrated by all the conflicting information out there around the idea of healthy belting? Some voice teachers shun the fact that there is even such a thing as healthy belting and they steer singers away from belting entirely. Others teach a technique that doesn’t address the tensions that inefficient belting creates, and unknowingly lead their singers down a dangerous path towards possible vocal injury. I recently heard from a member of my virtual voice studio named Donna asking these very questions. She writes: There is so much information nowadays about singing technique and I am very passionate about it. The thing is, I read a lot of books about vocal technique and met a lot of teachers in order to improve my knowledge (and singing of course) and let’s just say the information gathered was sometimes so confusing and tension friendly. So thank you for sharing your wisdom with everyone! I have a question about those really high belting notes for females (d-d#-e-f): do you have some pieces of advice in order to help one access those notes in a powerful way (with that edge quality)? Is it enough to think about lower support